- Project Runeberg -  Norway and Sweden. Handbook for travellers /
338

(1889) [MARC] Author: Karl Baedeker
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passing through it, we turn to the right and enter the rooms of the
old masters.

The Italian and Spanish Schools occupy a saloon lighted
from above and three of the six cabinets adjoining it. The other
three cabinets belong to the department of the Modern Schools
(see p. 341).

Saloon. Right side: 133. Leandro Bassano, Festival of Cleopatra;
S2. Carlo Dolci, Magdalen; Unknown Masters, 759, Still-life, 761.
Lazza-rone, 755. Christ with the crown of thorns. On the wall to the left, 11.
Caravaggio (?), Judith. — 2nd Cabinet: 84. Carlo Dolci, Christ at the
house of Simon the Pharisee. — 3rd Cabinet: four small pictures hy
Tiepolo, sketches for the decorative works in the Scuola dei Carmini
at Venice.

A room beyond the Italian saloon chiefly contains German and
Early Dutch Pictures.

Nos. 260, 261. B. Benner, Portraits of an old man and an old
woman; 507, 508. Jan Massys, Venus and the amorous old man (1566). —
257. L. Cranach , Charles V. and John Frederick of Saxony hunting. —
370. Jan Brueghel, The market (1609). — 1080. L. Cranach the Elder,
Lu-cretia (1528). — 430. Fr. Floris (Cornell’s de Vriendt), Sea-gods. — 466. Giltis
d’Uondecceier, Orpheus. — 1371. Anl. Morotf), Portrait.

We next reach the Netherlandish School, which occupies a
saloon lighted from above and five adjoining cabinets.

Saloon. Entrance-wall: 595. Rubens (school-piece), The four fathers
of the church; 608. Rubens, Esther and Ahasuerus (a sketch); "607.
Rubens, Daughters of Cecrops finding Erichthonius (a sketch); 596.
Rubens, Susanna in the hath ; "606. Rubens, Samson slaying the lion (a
sketch); "404. Van Dyck, St. Jerome (an early work): ""599. ""600. Rubens,
Sacrifice to Fertility, and a Bacchante, copied hy Ruhens in 1601-8 from
Titian’s famous works then at r.ome, hut now at Madrid; 386. A. Cuyp,
Family portraits (1661); 581, "582. Rembrandt, Portraits (1655). 585.
Rembrandt, Portrait of a young man (ca. 1638); 1349. Rembrandt, St. Peter
(1632). — ’"578. Rembrandt, The so-called Oath of John Ziska (perhaps rather
an Old Testament subject), of great breadth and very effective, hut
unfinished, the master’s largest work after the Night Watch at Amsterdam
(about 1654). 517. Paulus Moreelse, Portrait. —462. Hobbema, Cottage among
trees; 616. Jacob v. Ruysdael, Forest-path; ""584. Rembrandt, ‘Portrait of
his cook’ (1651); "5S3. Rembrandt, Portrait of Saskia van Ulenburgh (1632);
512. G. Metsu, The smithy, a decorative picture of his early period; 637.
Snyders, Still-life; 577. Pynacker, Waterfall. — "478. C. Huysmans,
Landscape ; 636. Snyders, Dogs fighting over their food ; 488. Jcrdaens, Adoration
of the Shepherds (1618); "433. Fyt, Dead game (1651); "1159. Jordaens,
King Candaules tempting Gyges; 420. Unknown Artist, Labourers in the
vineyard: "639. P. de Fos, Stag-hunt; "303. J. d’Arthois, Large, wooded
Flemish landscape; 486. K. du Jardin, Portrait of H. van Huteren (1674);
398. II. Dubbels, Stormy sea; 534. Moeyaert, Preaching of John the Baptist
(1631); 353. P. Soulman. The Evangelists; 1099. J. Breughel, Flower-pot;
500. P. Eastman, Sacrifice to Juno; "1120. Jan de Bray, Flute-player.

I. Cabinet: 423. B. Fabritivs, Family at table (1650); 1046. G. Horst,
Meeting of Jacob and Esau (1641; a sketch); "418. G. v. d. Eeckhout, The
satyr and the peasant; 442. J. v. Goyen, Halt by a farm; 58S. Moeyaert,
The angel leaving Tobias; "576. Rembrandt, St. Anastasius in his cell
(1631); 421. A. v. Everdingen, Norwegian fjord (1648); "443. J. v. Goyen,
View of Dordrecht (1655): ’473. P. de Hooch, Woman by a cradle; "471.
P. de Hooch, The letter; 539. Th. de Keyser, Family portraits; 672,673. IF.
van de Velde, Small sea-pieces; 1386. P. Codde, Domestic scene.

II. Cabinet: 310. C. Bega, Music-lesson (1663); 356. R. Brakenburgh,
The dance (1699); 548, 549, 554. A. v. Ostade, Small portraits; "1117.
Unknown Arlisl, Old woman reading (1658); *550. A. v. Ostade, Peasants

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