- Project Runeberg -  The Social Significance of the Modern Drama /
235

(1914) Author: Emma Goldman
Table of Contents / Innehåll | << Previous | Next >>
  Project Runeberg | Catalog | Recent Changes | Donate | Comments? |   

Full resolution (JPEG) - On this page / på denna sida - The English Drama - Githa Sowerby - Rutherford and Son

scanned image

<< prev. page << föreg. sida <<     >> nästa sida >> next page >>


Below is the raw OCR text from the above scanned image. Do you see an error? Proofread the page now!
Här nedan syns maskintolkade texten från faksimilbilden ovan. Ser du något fel? Korrekturläs sidan nu!

This page has never been proofread. / Denna sida har aldrig korrekturlästs.


GITHA SOWERBY
RUTHERFORD AND SON
I
women s rights women who claim
for their sex the most wonderful things
in the way of creative achievement, will
find it difficult to explain the fact that
until the author of
"
Rutherford and Son
"
made
her appearance, no country had produced a single
woman dramatist of note.
That is the more remarkable because woman
has since time immemorial been a leading figure in
histrionic art. Rachel, Sarah Bernhardt, Elea-
nore Duse, and scores of others have had few male
peers.
It can hardly be that woman is merely a repro
ducer and not a creator. We have but to recall
such creative artists as Charlotte and Emily
Bronte, George Sand, George Eliot, Mary Woll-
stonecraft, Marie Bashkirtshev, Rosa Bonheur,
Sophia Kovalevskaya and a host of others, to ap
preciate that woman has been a creative factor in
literature, art and science. Not so in the drama,
so far the stronghold exclusively of men.
It is therefore an event for a woman to come
235

<< prev. page << föreg. sida <<     >> nästa sida >> next page >>


Project Runeberg, Mon Dec 11 19:45:00 2023 (aronsson) (download) << Previous Next >>
https://runeberg.org/sigdrama/0241.html

Valid HTML 4.0! All our files are DRM-free