- Project Runeberg -  Norge, fremstillet i tegninger / Norge, exibited in Engravings /
25

(1881) Author: Christian Tønsberg
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Christiania Omegn.

Éinvirons of Christiania.

25

I». Otfcai’glial ligger ved Frognerkilen, paa en
fremspringende omtrent 80 Fod høi Fjeldskrænt. 11847
lagdes Grundstenen, og Bygningerne, som ere opførte
at A r chit ekt Nebelong i engelsk-gothisk Stil, fuldendtes
i 1852. Oscarshal bestaar af tvende Hovedbygninger
med et tilstødende polygonformet Taarn og en mindre
Bygning nede ved Stranden, som benyttes af den
kongelige Families Betjening. Paa Midten af Terrassen,
mellem sidstnævnte Bygning og Hovedbygningerne, er
en aaben Pavillon. Den største af Hovedbygningerne
er treetages, og Opgangen til 2det og 3die Stokværk
og til Taget, som omgives af kreneleret Murkrands og
flere Taarne, er ad en i Taarnet anbragt Spiraltrappe.
Paa Bygningens Façade mod Søsiden er anbragt en
Balkon og mod Landsiden i 2den Etage en med
Bygningen forbunden Veranda. Fra Landsiden kommer
man gjennem en aaben Korridor ind i Vestibulen, og
derfra i Salonen, der er forsynet med en rigt udskaaren
Egetræspanel)ng, hvis øverste Frise er udstyret med
Medailloner, hvori er anbragt 20 i Zink støbte
Brystbilleder i Hautrelief af Personligheder fra Norges
Middelalder, modellerede af Billedhugger Borch. Paa
Konsoler anbragte i de fire Hovedfelter er opstillet Statuer
af de gamle norske Konger, Harald Haarfager, Olaf
Trygve on, Olaf den Hellige og Sverre, som ere
modellerede af Billedhugger Michelsen og støbte i Zink. I
2den Etage er Dagligstuen, der er prydet med 9 af
Billedhugger Borch i Marmor udførte Basreliefs,
fremstillende Scener af Frithjofs Saga, og fem store
Landskaber af Gude, der fremstiller Steder ved Sognefjorden,
som nævnes i samme. Det tilstødende Værelse er det

the nuptials) to his queen Euphemia. From her
daughter, it passed, by dead of gift, to Hovedöen monastery;
and on the sequestration of the abbey lands, in 15B2,
again reverted to the Crown» At a later period, the
estate was included among the royal possessions in
Oslo, on the sale of which is was farmed partly by the
viceroy and partlyby the Stiftamtmand ln 1790 a
portion of the estate was disposed of as copyhold
property, and the rest, being put up to auction in 1837,
fouud a ready purchaser in King Charles XIV
(Bernadotte). On the demise of King Oscar I., at whose
expense Oscar’s Hall had been erected, the property
passed to his eldest son, King Charles XV., who some
years later sold it to the State. On the occasion of
the transfer, it was agreed to place this delightful
residence at the disposal of the monarch, who furnished
funds for turning most of the land attached to the
property into a model farm.

18. Ogcar’rt Hall stands on a projecting rock,
eighty feet nearly in height. The foundation stone of
this beautiful seat was laid in 1847; the whole edifice
— which is English-Gothic in style, from designs by
Nebelong — being completed in 1852. Oscar’s Hall
consists of two principal structures, adjoining a
castellated hexagonal tower; and on the shore of the fjord
there is a smaller building, in which the domestics are
lodged during the royal visit. Towards the middle of
the terrace that connects this erection with the chief
edifice, there is an open pavillion. The largest of the
buildings is a three-story structure; the second and
third stories, and the roof — which is surrounded by

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