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110

(1910) [MARC] Author: Frank Heller
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110

VOCABULARY

I pass on to the question of how they are used. Mr.
Leeb-Lundberg, in his treatise < On Word-Formation in Kipling»,
has adopted a division into cases with proper meaning and
cases of transferred meaning. In the latter category, then,
there occurs an image, a metaphor. As this division aptly
sets off the peculiarities of Swinburne, I have adopted
it here.

A. I. a. 1. Composition of a past participle and its
agent. Proper meaning.

As to their number, these formations amount to about
two-thirds of all the cases; some doubtful cases also occur.
The comparatively large number of new formations shown
in the epic poems is rather striking.

I have already, and at some length, given my reasons
for ascribing a large number of the past part, compounds
to foreign influence. There is, however, one more motive
that is clearly discernible in some subdivisions, and
especially in the present one. About a third part of all the
cases here included show a correspondence of sounds
between the two parts of the compound which sometimes
becomes pure alliteration.

I, 185, As some bec-bailded cell . . .

98, As these men sleep have slept
The old heroes in time fled,
No dream-divided sleep.

238, And salt fierce tides of storm-swoln Bosphorus.

II, 10, Their seythe-swept harvest-field . . .

81, Women with labour-loosened knees . . .

87, Lo, thy blood-blackened altars

III, 295, Along the foam-flowered strand

Breeze-brightened . . .

321, No healing hymn of peace-prevented strife . . .

338, From the utmost rock-reared height . . .

348, From fairy-footed fields of wild old flowers . . .

IV, 370, Through a pass rock-rimmed and narrow . . .

379, These ears death-deafened.

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