Full resolution (JPEG) - On this page / på denna sida - Appendix - I. Specimens of Finland and Lapland Music - Finlanders Dance at the Cottage
<< prev. page << föreg. sida << >> nästa sida >> next page >>
Below is the raw OCR text
from the above scanned image.
Do you see an error? Proofread the page now!
Här nedan syns maskintolkade texten från faksimilbilden ovan.
Ser du något fel? Korrekturläs sidan nu!
This page has never been proofread. / Denna sida har aldrig korrekturlästs.
330
(a) Finlanders Dance on the Banks of Leivaniemi.
TS Rae BS | @ a2 2 f£ FP | Aas... ss .| © f4.f ff fF |
ff «wt Ori! @i ¢ fa | | © @| © Paasaazal is || @i#4.4\841\8\| 2
sale! — fea —}— fe} —}-—1— |} fled — bahia — fled —
S—_ ee ee — _
we tae ev ae ee
SA AGT BAPE) | Cee _A ee ee ee es ap fy ea 3 hl SS
aa 3S a es ee ee | es
ay
TF er Fer © ari
“a j— eg} et
| TTD SD ares EE EE EE O_O
eas ‘ eee
(a) It is to be obferved in this Tune,that the whole of the firft —
part,and four Bars of the fecond,are within the compafs of the 7
five Notes of the Harpu-;but the three laft are two Notes out of. f
the compafs;the Violin,or the introduction of the Fiddle,infpi-
red this licence. Itis a timid f{tep out of their limited circle,and
for thofe who are fond of minute enquiries upon this fubject, it
may fhew how the introduction of a new Inftrument,lefs limi-
ted than the firft ,introducesnew ideas, and changes by degrees
the character of the ancient Mufic. The fecond part has the fault
of having an unequal number of Bars (7) which is a licence in |
the ufual mode of compofition, but which fhews that this rule is
not to be fo ftrictly attended to,as not being: founded on nature.
<< prev. page << föreg. sida << >> nästa sida >> next page >>
