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near Sandefjord (p. 311, in 1880, is 76 ft. long and 14-16 ft. broad. The
steering-gear is on one side instead of at the end. Adm. on Mon. and Frid.,
12-2 (at other times for a fee of 10-25 ø).
To tlie N. of the University is the handsome *Museum of Art
(PI. 21), built in the Italian Renaissance style by Adolf Schirmer
and presented to the town by the Christiania Sparebank, or Savings
Bank. The wings are not yet completed. Admission on Sun.,
Tues., and Thurs. 12-2, free; at other times on application to the
‘Vagtmester (fee kr.).
The Ground Floor contains the *Sculpture Gallery
(Sculptur-Musæet; Historical and Descriptive Catalogue, by Prof.
Dietrich-son. 1 kr.).
The Vestibule and the three ’adjoining Rooms contain the Casts of
Ancient Sculptures, and the. Staircase and Hal] the Casts vf Renaissance
and Modern Sculptures. — The other rooms contain Original Works by
Norwegian Masters, the finest of which are: 328, 329. Fladager, Angel
with font (model and sketch]; Borch, 330. Jephthah’s Daughter, 331. The
first lesson, 331a. The Sulamite Maiden, 331b. David, 332. Bust of Rector
Vibe, one of the founders of the collection; 333. Skeibrok, Ragnar
Lod-brok among the serpents; no number, Skeibrok, The mother’s watch.
A wide double staircase ascends to the Upper Floor, which
contains the National Gallery, a collection of paintings founded in
1837 and belonging to government. It contains about 300 ancient
and modern works, chiefly by Norwegian masters but also including
several good specimens of the Dutch school. Historical and
Descriptive Catalogue, by Prof. Dietrichson, 1 kr.
We first enter the —
East Room. Danish School. 198. Jens Juel, Bernt Anker, a Norwegian
patriot of the 18th cent.; 201. C. IV. Eckersberg. Alms-giving at the
convent; 202. Ar. Simonsen, Caravan overtaken by a simoom; 204, 205,
Grönland, Flowers and fruit; 206. Sørensen, Øresund, near Kronborg; * Krøyer,
Concert in the studio. — Swedish School. 210. Kjörboe, Fox; Amalie
Lindegren, 214. The widow and her child, 215. Grandfather’s lesson; 217.
Fager-Im, Discomforts of bachelor life; 218. E. Bergh, Birch wood. — We now
turn to the right and enter the —
Sooth Room (lighted from above). Norwegian School. J. C. Dahl
(178S-1857), 230. Laurvik, 231. The Hougfos; Th. Fearnley (1802-1842), 235.
The Labrofos, 236. Grindelwald Glacier; 241. Baade (1808-1879), Norwegian
coast-scene by moonlight; Adolf Tidemand (1S14-76), *246. A solitary couple
(family worship in a cottage), ’247. Cottage meeting of the Haugianer (a
religious sect). 248. Administration of the Sacrament to a dying man;
250. F. Bøe (b. 1820), Breakfast; Eckersberg (1822-1S70), 253. Valle in the
Sætersdal, 254. Mountain scenery; H. F. Gude (b. 1826), 258. Norwegian
landscape, 259. Mountain view, ’261. Christiania Fjord, 262. Before the
rain, 263. Scene in North Wales; *267. H. A. Cappelen (1827-1852), Forest
scene in Lower Telemarken; 272. K. Bergslien (b. 1827), Portrait of the
artist’s father; Morten Miiller (b. 182S), 273. Scene on the Christiania Fjord,
274. Hardanger Fjord; 276. E. Bodom (1S29-1S79), Scene in Nordmarken;
279. P. N. Arbo (b. 1831), Asgaardsrejen (The Wild Huntsman); 281. A.
Askevold (b. 1834), Mountain lake in summer; 285. Karl Hansen (b. 1841),
In captivity’; "287. L. Munthe (b. 1841), Coast-scene in winter; No number,
Munthe, Autumn evening; E. Petersen (b. 1852), 2S9. Portrait of a lady,
2S9a. Siesta; 304. Skredsvig (b. 1854), Subject from Northern France: 303.
Ucherman, Flemish team ; 306. Gerh. Munthe (b. 1S49), A summer’s day;
308. 0. Sinding (b. 1842), Scene from the Lofoden Islands; 302. E.
Werens-kiold (b. 1855), Girl from Telemarken; Am. Kielsen, *302 a. Rustic burial,
299. Scene on the Hardanger Fjord; *278. P. N. Arbo, The Valkyries.
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