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Lorrain (?), Large Italian landscape at sunset; 79S, 790, SOI, 797. Fr.
Desportes the Elder, Large still-life pieces and other good decorative
pictures; 773. Fr. Boucher, ‘Pense-t-il aux raisins’ 0747); 813. G. Poussin,
Landscape.
Cabinet: 77S, etc,, Chardin; 772. Fr. Boucher, The toilet 0746); 843,
R44. Lancret, The swing. Blind-man’s-buff; 874. Paler, The bathers; 888.
B. Taraval, Venus and Adonis.
The next four cabinets contain a number of pictures by Flemish
and Dutch painters.
I. Cabinet, to the left of the entrance: *407. Antwerp Master.
Drawingroom of Rubens; *653, 654. D. Teniers the Younger, Four smokers at a table
(about 1648). Rustic tavern (1661); 603. Rubens, Susannah in the bath
(small; 1614); 640. Snyders, Still-life; 1146. J. van Es, Still-life; 602.
Rubens, Two naked children (sketch); 1183. J. d’Arlhois, Landscape; 1393.
D. Seghers, Flowers.
II. Cabinet: 623. D. Ryckaerl the Younger, Rustic interior; 390. I), van
Delen, Party at table in a drawing-room (1631); 434, 435. J. Fyt,
Still-life; 1292. M. van Belmont, Rustic festival; 1389. S. Yerelsl, Flowers.
IV. Cabinet: 528. B. Mommers. Landscape.
Traversing the saloon and proceeding in a straight direction,
we reach a corridor, leading to four rooms dedicated to the Early
Swedish Masters, the most distinguished of whom was Dav.
Kl’6-ker von Ehrenstrahl ("1629-98). Two portraits by him (948, 949),
are in the fourth room. — Beyond these rooms is a cabinet
containing Water Colours and Pastel-Drawings. — We next
inspect the works of the —
Modern Northern Schools, which .may be more correctly
described as offshoots of the schools of Diisseldorf, Munich, and Paris. The
Norwegian artists in particular, with few exceptions , have been
trained in Germany, where most of them have usuallyresided,
although they have generally derived their subjects from their native
country. So similar is their style to that of the Germans, that
Tidemand, Gude, Munthe, and others are usually claimed as members
of the German school. About half of the Swedish masters, on the
other hand, have gone for their art-education to Paris, and the rest
to Germany. The former have as yet produced few great works,
while the latter resemble the average German painters of modern
times. A few Danish masters are also represented here. This
department of the gallery occupies a saloon lighted from above, the
six adjacent cabinets , and the ante-chamber. The following list
comprises works by the more eminent of these artists, whose
nationality is indicated by the letters S.. N., and D.
Saloon. Left side: 1381. J. Kvonberg (S., born 1850), Saul and David;
1319. A. Tidemand (N., 1814-76), The fanatics: *1138. P. G. Wiekenberg
(S., 1812-46), Dutch coast; 999. B. Xordenberg (S., b. 1822), Tithe-day in
Skåne; 1223. J. A. Malmström {S., h. 1829), Dance of elves bv moonlight;
1296. G. 0. CederströmtS., b. 1841), Epilogue; 1320. C. //. d’Unker (S.,
18281866), The pawnbroker; nonumber, S. M. Larson (S., 1825-64), Norwegian
landscape. —^End-wall : 1154. G. v. Rosen (S., b. 1843). King Eric XIV., with
Catharine Jlansdotter and Göran Persson. — Side-wall : 944. Charles XV.
(d. 1872), Swedish landscape; 1275. Morten Muller (X., b. 1S2S), Norwegian
landscape: B. A. L. Wahlberg (S., b. 1834), 1155. Landscape. 1027. Winter
landscape with hear-hunt; 1355. J. Fr. Böckerl (S., 1826-66). Burning of ihe
palace at Stockholm in 1697; 1239. B. A. L. Wahlberg. Twilight on the
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