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VII. | |
Feelings in regard to prospects of war.—Longing for
defeat.—Antecedents of the present condition.—Court circles.—Social influence of Herzen and Katkóf.—The abolition of serfdom.—The significance of the suppression of the Polish insurrection.—Fundamental, political, and religious re-action.—Terrorists and attempts at assassination.—Foreign and domestic policies. | 108 |
VIII. | |
The Russian press.—Newspapers and periodicals.—Contemporary
men of talent, older and younger.—Original men in science and literature.—The Russian public and its receptiveness | 136 |
IX. | |
Art.—Russian characteristic and quality of imitation in
architecture and the fine arts.—History of the art of building and of religious pictures.—Development of the art of painting from the time of Catherine to the present time: Brylof, Ivánof, Kramskoï, and Riepin.—Sculpture: Antopolski.—Industrial art.—Relation between the course of development of art and literature | 156 |
LITERATURE. | |
I. | |
Herodotus and Ovid concerning the country and its
climate.—Herodotus on the customs and myths of the Scythians.—Resemblance between a Scythian myth and one related in the bîlinî.—Kola-Xais and Mikula. —Ovid’s account of the Black Sea coast and its inhabitants.—Chronicle of Nestor.—Parallel between the accounts of Nestor and the Icelandic sagas.—Scandinavians and Russians.—Slavic mythology.—The bîlinî.—Parallel between the contents of these and the old Norse myths and traditions.—The song of Igor.—Its characteristics, and extracts from it | 177 |
II. | |
The Russian national literature.—The popular ballads of Little
Russia and Great Russia.—Their characteristics.—Russian love.—Lomonósof, the founder of the modern literature.—How far he is a typical Russian.—Derzhavin and classicism.—Influence of Holberg on the Russian theatre.—Zhukovski and romanticism | 204 |
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