vii (Impressions of Russia)

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III.

Pushkin.—Emancipation of poetry.—His life and
poetry.—Pushkin and Byron.—Lermontof .—His life and
character.—His poetry and Pushkin’s 228

IV.

The national characteristic.—The Little Russians, Gogol and
Shevtchenko.— Gogol’s satire and genius.—His ruin.—The
history of Shevtchenko’s sufferings and his poetry.—The
reformers Herzen and Tchernuishevski.—Herzen and
Byelinski.—Herzen creates a public sentiment.—Imprisonment and
sentence of Tchernuishevski.—His fate and ideas.—The typical
Russian in his principal work 244

V.

Turgenief, the first Russian author who becomes
cosmopolitan.—His pessimism.—He is an artist and philosopher.—His efforts
for the liberation of the serfs.—Characteristics both of him and
of his novels 271

VI.

Dostoyevski.—His optimism.—His complex character.—His life
of Christian emotion.—His debut.—Byelinski and
Dostoyevski.—His arrest and sentence.—The house of correction in
Siberia.—His novels.—His labors as a Slavophilist journalist 301

VII.

Tolstoï.—The strength of his nature and fancy.—The epic
character of his imagination.—His realism and power of
divination.—His historical portraits.—Their defects.—His fatalism.—His
description of how men die.—His ideal of a return to
nature.—His pessimism and the French.—His Christian socialism, so
typically Russian.—His life and teaching.—His labors for the
elevation and education of the people.—His portraits.—What
they teach.—Kramskoï’s portrait and Riepin’s
painting.—Tolstoï as Prince of the Ploughshare.—Black Earth 337

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		Impressions of Russia / vii (1889) Author: Georg Brandes Translator: Samuel Coffin Eastman - Tema: Russia Table of Contents / Innehåll \| << Previous \| Next >>
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III.
Pushkin.—Emancipation of poetry.—His life and poetry.—Pushkin and Byron.—Lermontof .—His life and character.—His poetry and Pushkin’s	228
IV.
The national characteristic.—The Little Russians, Gogol and Shevtchenko.— Gogol’s satire and genius.—His ruin.—The history of Shevtchenko’s sufferings and his poetry.—The reformers Herzen and Tchernuishevski.—Herzen and Byelinski.—Herzen creates a public sentiment.—Imprisonment and sentence of Tchernuishevski.—His fate and ideas.—The typical Russian in his principal work	244
V.
Turgenief, the first Russian author who becomes cosmopolitan.—His pessimism.—He is an artist and philosopher.—His efforts for the liberation of the serfs.—Characteristics both of him and of his novels	271
VI.
Dostoyevski.—His optimism.—His complex character.—His life of Christian emotion.—His debut.—Byelinski and Dostoyevski.—His arrest and sentence.—The house of correction in Siberia.—His novels.—His labors as a Slavophilist journalist	301
VII.
Tolstoï.—The strength of his nature and fancy.—The epic character of his imagination.—His realism and power of divination.—His historical portraits.—Their defects.—His fatalism.—His description of how men die.—His ideal of a return to nature.—His pessimism and the French.—His Christian socialism, so typically Russian.—His life and teaching.—His labors for the elevation and education of the people.—His portraits.—What they teach.—Kramskoï’s portrait and Riepin’s painting.—Tolstoï as Prince of the Ploughshare.—Black Earth	337