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amusing, yet not too free, and which did not
require too elaborate accessories. At last the
choice fell upon ‘Les œufs de Perette,’ a French
vaudeville.
It was the first time Aniuta had acted, and of
course she had the most important part. The
rehearsals began, and she showed an astonishing
talent for acting.
And now, all of a sudden, her fear of death, her
struggle between faith and doubt, her anxiety
about the uncertain ‘Hereafter,’ vanished. From
morning till night her clear voice was heard
throughout the house, singing French couplets.
After Elena Paulovna’s birthday, Aniuta
resumed her tears, but they were shed for a very
different reason now. She wept because her
father would not consent to her ardent wish to
go to a dramatic training school; she now felt
that it was her vocation in life to become an
actress.
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