- Project Runeberg -  Københavns Raadhus : opført 1893-1905 /
223

(1908) [MARC] Author: Francis Beckett - Tema: Architecture and Construction
Table of Contents / Innehåll | << Previous | Next >>
  Project Runeberg | Catalog | Recent Changes | Donate | Comments? |   

Full resolution (JPEG) - On this page / på denna sida - Bilag - IV. Résume du text danois

scanned image

<< prev. page << föreg. sida <<     >> nästa sida >> next page >>


Below is the raw OCR text from the above scanned image. Do you see an error? Proofread the page now!
Här nedan syns maskintolkade texten från faksimilbilden ovan. Ser du något fel? Korrekturläs sidan nu!

This page has never been proofread. / Denna sida har aldrig korrekturlästs.

v a r io u s c h a se d o rn a m en ta tio n s. T h e h eig h t o f th e fron t b u ild in g
from th e str e e t-le v e l to th e co r n ice is 23,23 m ., to th e c a ste lla te d
w a ll 35,46 m. to 36,72 m ., to th e co rn er sp ir e s 48,02 m. T h e h eig h t
o f th e rear b u ild in g from th e str e e t-le v e l to th e co r n ice is 17,58 m .,
to th e c a ste lla te d w a ll 28,72 m. an d th e tw o co rn er sp ir e s 38,29 m.
T h e c a ste lla te d w a ll w h ic h ru n s rou n d th e w h o le b u ild in g is
a strik in g an d effe c tiv e featu re o f th e sk y -lin e , a n d its r a is o n
d ’é tre is at o n c e p ractical an d æ sth etic.al. In th e orig in a l sc h e m e
it w a s left to th e d iscretio n o f th e a rch itect, w h e th e r th e edifi.ee
sh o u ld c o n sist o f o n e so lid b lo ck , or se v e r a l in te r d e p e n d e n t b u d d -
in g s. T h e c a ste lla tio n th at c r o w n s th e w h o le ed ifice k e e p s th e
c o m p o n e n t p arts to g eth er, so th at th ere is p r e se n te d to th e e y e
a so lid w h o le . In th e m e rlo n s are fo u n d th e v e n tila to r s, th ro u g h
w h ic h th e v itia ted air is e x p e lle d ; th e fou r co rn er sp ir e s o f th e
c a ste lla tio n are a lso a d ap ted for th e sa m e p u rp o se.
A s th e front b u ild in g is h ig h er th a n th e rear b u ild in g , an d th e
w in g s o f th e fron t b u ild in g are sh o rter th a n th o se o f th e rear
b u ild in g , th e sid e fa ca d es are u n sy m m etr ic a l. O n th e e a st sid e ,
w h ic h fa c es th e old to w n , th e tr a n sitio n from th e fron t b u ild in g
to th e rear b u ild in g is m ark ed b y th e so a rin g to w e r (F ig. 174. 198),
o n th e w e s t sid e th e tr a n sitio n is em p h a sized b y th e slig h tly p ro-
je c tin g , g a b le -to p p e d stru ctu re in w h ic h is fo u n d th e „ P r e sid e n t
S taircase" . F rom th e sid e o f th is g a b le sp r in g s a little p o ly g o n
to w e r , ca lled th e „ D o v e -to w e r " o n a c c o u n t of its to p -p a rt b e in g
d e sig n e d a s a d o v e -c o t (F ig. 67. 170. 178. 279). T h e sta ir c a se g a b le
an d th e d o v e -to w e r , w h ic h did n o t a p p ea r in th e a rtist’s first
d esig n , b e lo n g s w ith o u t d ou b t to th e m o st sp rig h tly an d p le a sin g
fea tu res th e b u ild in g p r e se n ts. T h e large d eco r a tiv e g a b le is, in
a w a y , p aren t to th e fifteen sm a ll a ttic g a b le s w h ic h r e lie v e th e
w h o le facad e o f th e rear b u ild in g , an d g iv e th e b u sin e ss q u arters
a v e r y ch eerfu l effeet. T h e W in d o w s o f th e se g a b les, a s w e ll a s
th e d o r m e r -w in d o w s, se r v e to g iv e lig h t to th e a ttic sto ry .
T h e artist h a s trea ted w ith s u c c e s s , n o t o n ly th e u n s y m m e -
trical sid e fa ca d es, b u t a lso th e fron t an d b a ck fa ca d es w h ic h
lik e w ise lack sy m m e try . In th e b a ck fa ca d e th e d e v ia tio n is
slig h te r an d le s s ap p aren t, an d it w a s th e a rtist’s d esire th at th e
g a rd en on th is sid e sh o u ld h a v e b e e n e n c lo s e d b y a w a ll, w h ic h
w o u ld h a v e g iv e n th e b a ck fa ca d e g rea ter b rea d th , b u t w o u ld
a lso h a v e th r o w n its irreg u la rity in to relief (F ig. 130).
T h e p rin cip a l facad e, flan k ed b y th e p ro m in en t to w e r , w a s
u n sy m m e tr ic a l from th e first, an d h ere a lso it w a s th e a rtist’s
id ea to h a v e e n c lo se d th e g a rd en b y a w a ll, so th at th e facad e
w o u ld h a v e th e a p p ea ra n ce of g reater b read th ; th e v ertica l lin e s
o f th e big to w e r w o u ld b e co u n ter b a la n c ed b y th e h o rizo n ta l
lin e s o f th e g a rd en w a ll. T h e th ree fa ca d es o f th e fron t b u ild -
in g are strik in g ly c o m m a n d ed b y th e im p o sin g tw o -s to r y b a y -
w in d o w s , w ith th eir s to n e m u llio n s an d fram es. T h e b a se o f th is
lin e o f W in d o w s is form ed b y th e lea f-a d o r n e d c o r n ic e b an d ,
w h ilst, a b o v e , th e r e lie v in g a rc h e s h a v e th e effeet o f h e ig h te n in g
th e tier o f W in d o w s w h ic h a b so rb th e w h o le o f th e u p p er se m i-
sto r y (F ig. 224-26). O n th e fron t fa ca d e th e lin e o f W in d o w s is re-
lie v e d b y tw o b o ld ly p ro tru d in g b a y s. In su c h w is e th e artist h a s
u n m ista k a b ly in d ica ted th at b eh in d th e se W in d o w s are th e p rin -
cip al a p a rtm en ts o f th e fron t b u ild in g. — F rom th e p lan o f th e
tw o co u rts it is a p p a ren t th at th e artist h a s d ep arted from th e
strie tly sy m m etrica l. T h e fa ca d es o f th e o p en co u rt p r e se n t a v a -
riety o f treatm en t. In th e o p en cou rt th e tw o larger sid e s, h o w -
ev er, re sem b le ea ch oth er, b u t th e sm a ller sid e s are d ifferen t, a s
th e sid e o f th e cen tra l b u ild in g is treated w ith a b o ld n e s s an d
d e c isio n w h ic h m ark s th e p rin cip al fa ca d e (F ig. 172-73)- In th e
c o v e r e d co u rt o f th e C o u n cil H a ll, th ree sid e s are in a g re em en t
o n e w ith a n o th er, b u t h ere again th e sid e o f th e cen tra l b u ild in g
is m ad e th e p rin cip al facad e, an d th e se c o n d sto ry W in d o w s o f th e
C ity C o u n c ils ch a m b er sta n d o u t from a g ro u n d o f rich ly co lo u red
facin g, w h ilst th e se c o n d sto r y o f th e o th er th ree sid e s is d is-
tin g u ish e d w ith a ro w o f c o lu m n s (F ig. 234~35- 251* 280), an d it is
o b se r v a b le , th at, in m a n y o f th e a p a rtm en ts, ord in ary b u s in e s s
w e ll a s th e m ore h a n d so m e ch a m b ers, th e artist in
h is trea tm en t o f s p a c e s h a s str iv e n to a v o id m o n o to n o u s u n i-
form ity b y th e v a r ie ty to b e fou n d in d issim ila rity .
T h e p rin cip al e n tr a n c e s to th e C ity H a ll are fou r in n u m b er.
T h e ch ief en tra n ce to th e rea r-b u ild in g is th e „ W a lr u s G a te “,
th u s ca lled b e c a u se th ere is a g ra n ite figu re o f a w a lr u s o n ea ch
sid e o f th e d oor (F ig. 132-33)- F rom th e g ro u n d floor a d o u b le
sta ir c a se le a d s to th e first floor. T h r o u g h th e w h o le o f th e rear-
b u ild in g th ere is a corrid or 53,36 m. in len g th an d 8,79 m. in w id th ,
w h ic h is lig h ted from a d o u b le g la ssr o o f a b o v e. E a ch sto r y h a s
a g a llery th e le n g th o f th e w a ll, from w h ic h th ere are d o o rs to th e
o ffices, w h ic h lo o k o u t to th e cou rt an d a lso to th e Street; in th e
w in g s th ere is a sin g le su ite o f o ffices w h ic h face th e Street o n ly .
C o m m u n ica tio n b e tw e e n th e sto r ie s o f th e lig h ted corrid or is
m ad e b y m e a n s of gran ite sta ir c a se s an d a lift a lw a y s in m otion .
T h e d iv ersified , p a in ted d eco r a tio n s h a v e th e effeet o f e n liv e n -
in g th e corrid ors, an d d isp e llin g all k in d o f te d io u s n e s s ; th e
u p p e r m o st sto r y in p articu lar, b e in g a sp e c ia lly in te r e stin g ex -
a m p le o f tim b er c o n str u c tio n (F ig. 134-152). T h e corrid ors o f th e
w in g s , w h ic h d iv erg e from th e lig h ted h all, h a v e b e e n treated
b y b o th th e a rc h ite ct a n d th e d eco ra to r in d ifferen t m a n n ers, ru n -
n in g a s th e y do b e sid e th e o p en cou rt, an d afford in g a se r ie s o f
in te r e stin g v ie w s of th is a ttra ctiv e part, b ea u tified b y th e „ B ea r-
fou n tain " , th e jo in t w o r k o f J o a k im S k o v g a a r d a n d T h . B in d e s-
b o ll (F ig. 176). T h e Office fittin g s are o f A m e r ic a n p itch -p in e ,
b u t th e larger p ie c e s o f fu rn itu re in th e a p a rtm en ts o f th e ch ief
d iv isio n a l o fficia ls are o f te a k , w h ils t th e n o b le st ch a m b ers —
th o se o f th e m a y o r s etc. — h a v e tall oak p a n e ls, an d th e fu rn i-
tu re is o f m a h o g a n y (F ig. 153-59). In ea ch o f th e w in g s o f th e rear
b u ild in g th ere is a carriage w a y in to th e o p en cou rt, from w h ic h
tw o b road g ra n ite sta ir -c a se s, w h o s e ch e e k b lo c k s are o rn a -
m en ted w ith g ra n ite b a silisk s, lea d to th e C o u n cil H a ll (F ig. 171.
175-77. 187-88). S ta ir c a se s from th e carriage e n tr a n c e s lea d to th e
g ro u n d flo o r a p a rtm e n ts o f th e w in g s ; th ro u g h th e a d ja cen t tw o
p o ly g o n sta ir -to w e r s th ere is c o m m u n ic a tio n b e tw e e n th e v a -
rio u s sto r ie s; an d sta ir c a se s from th e carriage e n tr a n c e s lead
a lso to th e g ro u n d flo o r in th e fron t b u ild in g an d to th e a d ja cen t
p rin cip a l sta ir c a se s th e „ T o w n sm e n S ta irca se" in th e g rea t to w e r
an d th e „ P r e sid e n t S ta irca se" im m e d ia te ly o p p o site . B o th th e se
S ta ir c a se s h a v e s te p s o f g ran ite. In th e oak ra ilin g o f th e „ T o w n s -
m en S ta irca se" are ca rv ed fig u res o f cra ftsm en etc., e x e c u te d from
d e sin g s b y H a ra ld S lo tt-M o lle r (F ig. 200-201). O n th e w a lls ,
w h e r e th e sta ir c a se en d s, th ere are p a in tin g s re p r e se n tin g v a r io u s
a sp e c ts o f C o p e n h a g e n b a sed on old e n g r a v in g s, a s w e ll a s p ic-
tu re s o f celeb ra ted D a n ish m en . R o u n d a b o u t th e d o o r to th e C e n -
tral b u ild in g th ere is a p a in ted r e p r esen ta tio n o f th e old C ity H a ll
o f C o p e n h a g e n ; a b o v e th e door is a p la ster-fig u re b y B u n d g a a r d
ca lled th e „ S w o rd -b ea rer" . T h e ra ilin g of th e „ P r e sid e n t S ta irca se"
is o f teak an d b ra ss. R ig h t a b o v e th e e n tr a n c e to th e C en tra l b u ild -
in g, th ere is a re p r esen ta tio n in c o lo u r e d F a ’
ie n c e tile s o f „Æ g ir
an d h is d au gh ters" after a d ra w in g b y L o r e n s F ro lich (F ig. 199-
209). In th e C en tral b u ild in g . o n th e se c o n d floor, is situ a te d th e
C ity C o u n c ils ch a m b er, 20,09 m - lo n g , 10,35 m - to a b o u t 12,55 ni.
w id e , an d a b o u t 8,79 m. in h eig h t. T h e w a lls are o f w h ite stu c c o ,
w ith h ig h oak p a n e llin g , a n d a h e a v y raftered ceilin g . O n th ree
sid e s o f th e a p a rtm en t th ere are g a lle r ie s for th e a c c o m o d a tio n
o f th e p u b lic an d r e p r e se n ta tiv e s o f th e p ress. T h e ch a irm a n ’s
se a t is d istin g u ish e d b y a c a n o p y an d an o rn a te b a c k in g c o n si-
stin g o f a fab ric em b ro id ered w ith w o o l an d silk . C o n tig u o u s to
th e C o u n c ils ch a m b er are th e lo b b ie s, c lo a k -ro o m , a n d k itch en .
T h e a n te -r o o m s h a v e a little d eco r a ted lo g g ia w ith c o lu m n s
lo o k in g o n th e h a ll. w h ile to w a r d s th e o p en co u rt th ere is a
b a lc o n y . T h e p u b lic a n d p r e ss reach th e g a lle r ie s b y th e sta ir
to w e r s in th e o p en co u rt (F ig. 210-21).
T h e fou rth an d la st p rin cip a l en tr a n c e is th e ro u n d -a rch ed
d o o r -w a y in th e m id d le o f th e fron t facad e. T h e little d o o r a b o v e
c o n d u c ts to th e b a n q u e tin g h all, an d s e r v e s to b rin g in to p ro-
m in e n c e th e s p a c io u s p ro p o rtio n s o f th e facad e. T h e d o o r lea d s
to a sm a ll b a lc o n y w ith a w r o u g h t-ir o n la ttice fla n k ed b y tw o
b ro n ze a rm o u r-b ea rers, after m o d e ls b y V ilh elm B is s e n (F ig.
94-96). O v er th e d oor, th ere is a figu re in c h a se d co p p er, e x e -
c u te d after a m o d el b y B is s e n , o f A b sa lo n , B ish o p o f R o sk ild e ,
A r c h b ish o p o f L u n d , an d fo u n d er o f C o p e n h a g e n , attired in ec -
c le sia stic a l v e s tm e n ts , w ith sw o r d an d cro sier, sta n d in g a g a in st
an o rn a m e n te d b a c k g r o u n d ,a n d c o v e r e d b y a c a n o p y (F ig. 223-24).
In th e m id d le o f th e p a ra p et o f th e fa ca d e o f th e fron t b u ild in g
is p la ced th e arm s o f C o p e n h a g e n , e x e c u te d in co p p er; at th e
sid e s are six fig u res o f w a tc h m e n w h o c o n stitu te d th e p o lic e in
a n c ie n t tim e s, e x e c u te d in b ro n ze after m o d e ls b y C arl A a rsleff.
B e s id e s th e c o lo u r o f th e v a r io u s m a teria ls, su c h a s tile s, lim e -
sto n e , g ra n ite, co p p er, b ro n ze, an d th e s la te s o f th e roof, th e effeet
is fu rth er h e ig h te n e d b y rich g ild in g (F ig. 73. 100. 127).
T h r o u g h th e m ain d o o r o n e e n te r s a sp a c io u s, v a u lte d v e s ti-

<< prev. page << föreg. sida <<     >> nästa sida >> next page >>


Project Runeberg, Fri Jan 5 01:50:07 2024 (aronsson) (download) << Previous Next >>
https://runeberg.org/raadhus/0235.html

Valid HTML 4.0! All our files are DRM-free